Our project supports the adaptation and community process of women who were displaced from Karabakh and returned to their homeland through documentary theater and art therapy.
Trees have not only ecological, but also deep spiritual and symbolic meaning in human life.
In this performance, we want to re-imagine the traditional childhood fairy tale “Tig-Tig Khanum” through the prism of loneliness and separation, bringing together the stories of modern people.
Just like the headlights of passing cars would cast fleeting shadows on the walls at night during childhood, this play projects itself onto the heart.
We often hear around us that art is not developing in Azerbaijan, and that most of the good films, music, and plays were made during the Soviet era.
